Stories
Seven times classical music was used in film
Delve into this list of iconic classical music pieces featured in film which you may recognise.
What you should know about Béla Bartók
Delve into the life and history of Béla Bartók, composer and ethnomusicologist, who had a dedication to collecting and transcribing folk music and dances.
Susanna Mälkki: Journey to worlds of dreams
Susanna Mälkki discusses why she chose music by Scriabin, Ravel and Debussy for her upcoming concert with the LSO and pianist Kirill Gerstein.
Duncan Ward: Showcasing Global Groove and Dramatic Tales
‘The audience should float away from the 16 November concert with a new sense of community … they will have sung their hearts out, and I hope they feel the warmth and spirit of collective musical magic’ – Duncan Ward
Hannah Kendall: 'Creolised' sounds in O flower of fire
‘Through my music, I’m usually trying to evoke or even provoke various different emotions and feelings. That’s the case with O flower of fire, which is about the wrestle of faith.’
Kirill Gerstein: 2023/24 Spotlight Artist
Pianist Kirill Gerstein introduces the four pieces he will perform with the LSO as Spotlight Artist in the 2023/24 season.
Five Questions for the Notos Quartett
The Notos Quartett answer five questions on Richard Strauss’ music, and how they got together as a group.
Pappano: My relationship with the LSO
‘I’ve always had a very close relationship with the Orchestra. But I want that relationship to deepen. I hope I surprise them. I know they’ll surprise me.’
What you should know about Joseph Haydn
Explore the music, life and legacy of Austrian composer Joseph Haydn, the ‘father of the symphony’
From the Archive: Pierre Monteux, Principal Conductor 1961–64
Learn more about the LSO’s Principal Conductor between 1961–64, Pierre Monteux
What you should know about Anton Bruckner
Explore the music, life and legacy of Austrian composer Anton Bruckner, whose symphonies came to be dubbed ‘cathedrals of sound’.
Mantawoman: The Versatility of the Yangqin
Mantawoman, the alter ego of yangqin extraordinaire Reylon Yount, opens up about the instrument’s position on the musical outskirts, and the role it has played in her personal transformation.
