Following the recent release of the third album in the Panufnik Legacies series, which features brand new music from alumni of the LSO Panufnik Composers Scheme, we asked the composers themselves to tell us a little more about their experience writing for and recording with the Orchestra.
I write this on a momentous day for me. Today sees the final day of my #shoesasorchestralworks series on social media, day 90 in fact. (A good place to stop methinks, before anyone suggests lifetime membership to Shoes Anonymous).
Following the recent release of the third album in the Panufnik Legacies series, which features brand new music from alumni of the LSO Panufnik Composers Scheme, we asked the composers themselves to tell us a little more about their experience writing for and recording with the Orchestra.
Following the recent release of the third album in the Panufnik Legacies series, which features brand new music from alumni of the LSO Panufnik Composers Scheme, we asked the composers themselves to tell us a little more about their experience writing for and recording with the Orchestra.
‘Gentlemen, from now on there will be no deputies. Good morning’. This was the controversial statement that triggered the formation of the LSO. And to celebrate 116 years since the Orchestra's inaugural concert, Archivist Libby Rice took a look back at how it all began!
