I have a confession: I find the first movement of Scheherazade quite the most tedious piece of music. Is it just me? Once the nice violin solo is out the way, it’s wave upon wave of unremitting string crossing and the same tune, which is only half a tune, isn’t it, when you think about it?
I think conductors like it, mind. Bar after bar of sweeping music to get stuck into, summoning one surge after another and few banana skins on the way. It suits Mihhail Gerts to the ground, and he spent part of his morning session playing through the movement without stopping. The last movement of the Stravinsky Symphony in Three Movements, although very different in character suits him too.