Discovery Assistant Eamonn McElevey has been working with the LSO for just a few weeks. He writes this report of one of his first projects, LSO On Track at the BMW LSO Open Air Classics in Trafalgar Square.

On Sunday 11 May 2014, a packed Trafalgar Square watched and listened as the LSO gave another awe-inspiring performance amidst the hustle and bustle of busy London. The third item in the all-Prokofiev programme was Lieutenant Kijé, which was made somewhat more special as it included a group of talented, up-and-coming young musicians. Playing alongside their more experienced counterparts was no doubt a nerve-wracking experience but the performance was slick and professional and all involved did themselves proud.

Far away from the concert platform and involving our youngest participants, our early years work with children under 5 and their parents and carers is a side of the LSO’s work you don’t often get to see. Here’s a rare insight into the world of our mini music-makers…

By Natalie Chivers, Community Projects Manager; and Isabel Bedford, Community Projects Coordinator

LSO Discovery runs a series of early years workshops at our Music Education Centre, LSO St Luke’s, and at local children’s centres and nurseries. Led by our early years music specialist, Vanessa King, and supported by LSO players, the workshops are interactive, musically informative, and above all, a lot of fun.

We talk a little with spellbinding oud master and vocalist Dhafer Youssef, who tells us about his latest album Birds Requiem and what to expect from its UK orchestral premiere with Kristjan Järvi and the LSO on Thursday 24 April.

There’s an interesting quote about the Birds Requiem album on your website: ‘I am waiting impatiently for the live performances so I can share these emotions and see this album, like the ones to come, evolve and take shape with the audience.’ In what direction might this Barbican concert with the LSO evolve?

I firmly believe that music solicits the senses, one needs to listen to it and feel it. Live performances are the final steps in the life of an album; the audience responds directly giving shape to the album. Of course every venue has its particularities. At the Barbican, I will be playing with my quintet along with the London Symphony Orchestra, which will bring another dimension to my music. I am really enthusiastic about it.

We catch up with James Gaffigan, the New Yorker currently serving as Chief Conductor of the Lucerne Symphony Orchestra, after the first rehearsal ahead of his LSO debut on Thursday 13 February. He talks to us about the thrills and spills of being an international conductor, his first impressions of the LSO and electrifying star pianist Yuja Wang.

So James, tell us your story. How did you get in to conducting?

Well, I didn't come from musical family, but there was a piano in the house. I always gravitated towards the piano and tried writing tunes, and one day my parents thought to send me to music school, so of course learned how to read music and really started playing instruments, many instruments – clarinet, bassoon, and I was a guitarist also.