The Miraculous Mandarin

François-Xavier Roth: Bartók

Thu 19 Dec 2019 7.30pm - 9.30pm

Barbican Hall, London

SOPHYA POLEVAYA Spellbound Tableaux (world premiere) *
ELGAR Cello Concerto
Interval
BARTÓK The Miraculous Mandarin

François-Xavier Roth conductor
Alisa Weilerstein cello
London Symphony Chorus
Simon Halsey chorus director
London Symphony Orchestra

*Commissioned through the Panufnik Composers Scheme, generously supported by Lady Hamlyn and The Helen Hamlyn Trust

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On sale dates:
Online: Tuesday 5 March 2019 10am
By Phone: Tuesday 19 March 2019 10am
In Person: Tuesday 19 March 2019 10am

Part of 2019/20 season

Please note that finish times are approximate and subject to change

Two works written in the same year yet poles apart in style – in François-Xavier Roth’s words, ‘the post-Romanticism of Elgar combined with Bartók’s scary, strange, erotic, disturbing work’.

Elgar’s Cello Concerto was premiered by cellist Felix Salmond and the London Symphony Orchestra in 1919. Written by its former Principal Conductor and included in the LSO’s first concert given after the end of World War I, the piece had a somewhat difficult birth but has since become a firm favourite. Bartók’s pantomime ballet caused a scandal at its first performance in Germany because of its gruesome details and was subsequently banned. In turns brutal, frenetic, intense and dream-like, the music is some of his most experimental.

The programme opens with a world premiere of a new work by Panufnik Composer Sophya Polevaya. ‘We are so proud of these young composers,’ says Roth. ‘We cheer them and we try to help them create the most amazing music for a symphony orchestra.’