Programme to include:
Philip Herbert new work
Daniel Kidane Foreign Tongues
Dominique Le Gendre Le Génie Humain
Tunde Jegede Quartet No 2 – Reflecting on Beethoven Opus 18 No 2
Des Oliver The Diasporic Quartets (portraits in four movements) (world premiere)
Tickets: £8 (£6 concessions)
£5 under-18s tickets available
£0.60 online booking fee, £0.70 telephone booking fee per transaction – click here for more information on booking fees
Part of the 2019/20 season
Please note that finish times are approximate and subject to change
LSO Jerwood Composer+ is generously supported by Jerwood Arts.
In light of recommendations announced by the government on Monday 16 March, all LSO performances at the Barbican, and public performances and workshops at LSO St Luke’s, have been cancelled or postponed until further notice.
We appreciate your support during this time, and ask that you bear with us and the Box Office as ticket-holders are notified. Please keep checking this page on the Barbican’s website for the latest information on refunds for cancelled events (including events at LSO St Luke’s). A large number of events at the Barbican and LSO St Luke’s are being cancelled and postponed, so we ask that you are patient and avoid contacting the Box Office at this stage.
We are saddened to have to cancel performances, but the health and wellbeing of our audience-members, musicians and staff is of the utmost importance. We know that music can bring comfort, hope and community in difficult times, and our mission remains to ensure that this is available to everyone, everywhere. In the coming weeks we will be using our online channels to share videos of performances, articles, interviews and playlists. We invite you to join us, and to connect with other music-lovers around the world, by following us on Facebook, Instagram, Twitter, YouTube, Apple Music and Spotify.
Explore the music, ideas and experiences of British-based classical composers from the African diaspora, as composer and filmmaker Des Oliver showcases the music of composers who featured in his landmark online series Identity and the Anxiety of Influence.
Moving through time and place, works for string quartet express each composer’s relationship with heritage and tradition. Inspired by Beethoven’s Op 18 No 2, Tunde Jegede’s second quartet is an authentic synthesis of West African and classical musical traditions. French Caribbean music combined with French classical music and pop suffuse Dominique Le Gendre’s sound-world in Le Génie Humain. Drawing on his Russian and Eritrean heritage, former Jerwood+ composer Daniel Kidane brings elements of grime and urban music to his work, while a newly commissioned work by Philip Herbert finds inspiration in African-American spirituals and English pastoral music.
Completing the concert is Des Oliver’s musical response to the underlying themes of influence, heritage, identity and representation in his new work The Diasporic Quartets. Consisting of four portrait movements, the piece builds on his documentary series, taking inspiration from the music of each composer and their interactions during filming, interspersed with excerpts from the documentary that inspired this concert.
Identity and the Anxiety of Influence was commissioned by Sound and Music for the British Music Collection.
LSO Jerwood Composer+ supports early career composers in programming, planning and delivering chamber-scale concerts in the Jerwood Hall at LSO St Luke’s, including work of their own developed through the scheme.
Des Oliver studied composition at the Guildhall School of Music and Drama and won a Scholarship at the Royal Academy of Music. In 2015 he participated in the composer-choreographer collaboration funded by the RPS Drummond Fund at Rambert Dance Company. He recently completed his doctorate in composition and critical writing at Worcester College, Oxford and is currently the curator for the Oxford Music Faculty's Sounds of South Asia Series. Oliver is also a filmmaker: his curated documentary series Identity and the Anxiety of Influence, commissioned by Sound and Music for the British Music Collection, explores issues surrounding black identity with the breadth of new music produced by BAME composers across the UK.