Soweto Kinch White Juju

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EFG London Jazz Festival

Fri 19 Nov 2021 7.30pm - 8.55pm
Barbican Hall, London

Soweto Kinch White Juju (world premiere)*

Lee Reynolds conductor
Soweto Kinch saxophone & vocals
London Symphony Orchestra

Tickets: £35 £24 £18

£3 online booking fee, £4 telephone booking fee per transaction - click here for more information on booking fees

Discounts

£10/£15 Wildcard tickets
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Multibuys
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Young people
£5 for under-18s
Young Barbican 14–25
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Groups
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Barbican Access members
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Watch online

Streaming tickets  £12.50

Streaming tickets are available via the Barbican website. The broadcast will be available at barbican.org.uk/broadcast. You need an account to access the video. If you don't have one you'll be prompted to create a password once you've completed your transaction.


On sale dates

Priority Booking
From Friday 25 June 10am: LSO Patrons, LSO Pioneers & LSO Ambassador Friends
From Monday 28 June 10am: all LSO Friends (Ambassador, Benefactor, Associate & Supporter levels)

Public Booking
From Tuesday 6 July 10am

 

Please note that finish times are approximate and subject to change.

Part of the EFG London Jazz Festival

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*Commissioned by Serious and the London Symphony Orchestra, supported as a part of Help Musicians UK’s Giant Steps scheme and Cockayne Grant for the Arts.

The world premiere of Soweto Kinch’s new work for orchestra, written in response to the Black Lives Matter movement, Black British history and the past 18 months of lockdown.

Commissioned by the London Symphony Orchestra and Serious, White Juju is made up of six new works for jazz quintet and chamber orchestra. Beginning with the deafening silence of quarantine in 2020, it conjures sounds such as a bird call in Central Park, and the statue of a slaver crashing into Bristol’s River Avon, interwoven with Kinch’s barbed, incisive lyrics. The piece is deliberately danceable and intentionally seeks to subvert expectations of orchestral music.

Kinch’s music melds his distinct approach to Jazz and Hip Hop with Classical music: drawing broad inspiration from European folklore, the African Diaspora and divisive national myths to create a uniquely contemporary tone poem. In the Guardian's 2019 review of Kinch’s The Black Peril, commissioned and performed with the LSO, they found that his music played ‘like a swirling montage, an effort to resist the linear narration of history’.


Your Visit
Following the relaxation of Government restrictions, from the start of the 2021/22 season seating will no longer be socially-distanced in the Barbican Hall. We encourage audience members to bring and wear a face covering, unless you are exempt. Click here for the latest infomation on the measures that are being taken for the safety and comfort of visitors to the Barbican Centre.

Access
The Barbican Centre is fully accessible. Please visit this page for full details or contact us at [email protected] at any point ahead of your visit to let us know how we can support you.