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What’s On
Nicola Benedetti holding violin and smiling.

Stirring. Exploratory. Full-blooded.

MacMillan and Shostakovich 12

Gianandrea Noseda and Nicola Benedetti

Barbican

Thursday 3 April 2025 • 7pm

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Dmitri Shostakovich
Festive Overture (6 mins)
James MacMillan
Violin Concerto No 2 (London premiere) (20 mins)
Interval
Dmitri Shostakovich
Symphony No 12, ‘The Year 1917’ (40 mins)

Gianandrea Noseda conductor
Nicola Benedetti violin
London Symphony Orchestra

The concert will finish at approximately 8.35pm, including a 20-minute interval (timings subject to change).

Tickets

£70 £55 £39 £26 £18
+ £4 booking fee per online/phone transaction

Save on Your Booking

Wildcards

£12/£16 + booking fee as above
Guaranteed entry. Your seat will only be allocated on the day.
Limited releases throughout the season. Full details

Check for Wildcards

Other Discounts

Multibuy Discounts: save up to 40%
Discounts for 18s-and-under, 14–25s and full-time students
Groups of 10+ save at least 20%
Free companion tickets for Barbican Access Members

Full details on all discounts below

The Concert

Shostakovich in both revolutionary and festive mood alongside a MacMillan Concerto, written for Nicola Benedetti.

The Music

The Festive Overture is exactly that: a sprightly, light-touch of a piece composed in only three days. MacMillan’s orchestral music is sometimes likened to Shostakovich’s. His new Concerto, with its dark colours and folk-like melodies, sits well between two of the Russian composer’s works. The darkness is dispelled at the end, concluding with great serenity.

Shostakovich’s Symphony No 12 was written in memory of Lenin and the 1917 Revolution. From an ominous beginning the music continues without break until its triumphant finale – optimistic, at the time, of better things to come.

The Performers

James MacMillan wrote his Concerto especially for Nicola Benedetti, who joins LSO’s Principal Guest Conductor Gianandrea Noseda in this stirring programme.


This concert is supported by the PRS Foundation’s Resonate programme

PRS Foundation logo

 

Recorded for future broadcast on BBC Radio 3

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Dive Deeper

Booking and Discounts

Booking Your Tickets

Online at lso.co.uk or barbican.org.uk
By phone on +44 20 7870 2500 (Monday to Friday 12–5.30pm)
In person at the Barbican Centre (no booking fee)

Refunds and Exchanges

Contact the Box Office at least 24 hours before the performance (two weeks for group bookings) to exchange your tickets for another LSO concert or Barbican credit voucher, valid for six months. A per-ticket administration fee applies.

The LSO reserves the right to change artists or programmes if necessary. In the unlikely event of a cancellation, all bookers will receive a refund.

Questions About Your Booking?

Contact the Barbican Box Office at tickets@barbican.org.uk.

Visit the Barbican website for conditions of sale.

All discounts are subject to availability and may not be combined.

Multibuy Discounts

Book 2 or 3 concerts, save 10%
Book 4 to 7 concerts, save 20%
Book 8 to 11 concerts, save 30%
Book 12 or more concerts, save 40%

Retain your discount for any later bookings within the season. Find out more about Multibuy Discounts.

Wildcards

£12 or £16 (£10 or £15 for Half Six Fix concerts), plus booking fee. Check availability using the Wildcards button above. On the concert night, show your Wildcard order email at the Stalls box office to receive a valid ticket worth at least £18 (£15 for Half Six Fix). Find out more about Wildcards.

Young People and Students

18 and under: £6 tickets. Book online, by phone or in person.
14–25s: Join Young Barbican for discounted tickets to selected concerts.
Full-time students: Join Student Pulse for £6 or £10 tickets to selected LSO concerts.

Groups of 10+

Save 20% to 30% and enjoy additional benefits. Find out more about group booking.

Access Members

Members of the Barbican’s Access Scheme can book wheelchair places priced at the lowest price for that event and book a free companion seat. Join the Barbican Access Scheme.

Your Visit and Access

Header Image © Andy Gotts