Sir Simon Rattle opens the London Symphony Orchestra’s 2019/20 season with an all-British programme of music, including a world premiere.

Éclairs sur l’Au-Delà … is the last piece Messiaen ever completed, and it’s monumental in all senses of the word.

Sir Simon Rattle conducts Brahms and Rachmaninov, a programme that's lush and stormy in equal measure.

Sir Simon Rattle conducts Brahms and Rachmaninov, a programme that's lush and stormy in equal measure.

Late-Romantic music from Russia, rich in melody and storytelling.

Sir John Eliot Gardiner brings together works by composers who drew their material from Czech history, legends and landscapes.

Dvořák’s Cello Concerto and Suk's 'Asrael' Symphony named for the Hebrew Angel of Death

Experience the spectacle of a live symphony orchestra with your family.

Three dark-hued works from the 20th century, from the stormy seas to the knife-edge uncertainty of life in Soviet Russia.

History, heritage, fate, and a tour-de-force of piano skill and colour combine in this ‘Russian Roots’ concert from Gianandrea Noseda, bringing together Rimsky-Korsakov, Prokofiev and Tchaikovsky.

Michael Tilson Thomas celebrates a 50-year collaboration with the London Symphony Orchestra, which has taken him from his debut in his twenties to Principal Conductor and now Conductor Laureate.

Michael Tilson Thomas introduces and presents Prokofiev’s most emotionally charged symphony in this early-evening concert.

The LSO’s Conductor Laureate Michael Tilson Thomas celebrates an incredible 50 years of conducting the Orchestra.

A mythical, magical tale, a fate-filled journey from darkness to light, and pure Romantic lyricism – Gianandrea Noseda conducts Rimsky-Korsakov, Tchaikovsky and Bruch.

Gianandrea Noseda continues his Shostakovich symphonies cycle with the Seventh, 'Leningrad'.

Sir Antonio Pappano explores an all-British programme, highlighting composers’ responses to the world around them in early 20th-century Britain.

Sing your festive favourites with the LSO Brass Ensemble and a 300-strong choir of singers, and get your festive season off to a flying start!

Two works written in the same year yet poles apart in style – in François-Xavier Roth’s words, ‘the post-Romanticism of Elgar combined with Bartók’s scary, strange, erotic, disturbing work’.

Totally teenage orchestral brilliance. Come and hear it.

Nathalie Stutzmann brings together three landmark German composers from the Romantic era: Wagner, Mendelssohn and Brahms.