Experience the spectacle of a live symphony orchestra with your family.

Three dark-hued works from the 20th century, from the stormy seas to the knife-edge uncertainty of life in Soviet Russia.

Pianist Peter Donohoe brings a wealth of insight to late Beethoven and Tippett’s stylishly eccentric piano sonatas.

Award-winning composer and performance artist Amir Konjani showcases his latest work.

History, heritage, fate, and a tour-de-force of piano skill and colour combine in this ‘Russian Roots’ concert from Gianandrea Noseda, bringing together Rimsky-Korsakov, Prokofiev and Tchaikovsky.

The charismatic young Heath Quartet present an enigmatic programme featuring Beethoven’s final String Quartet.

Michael Tilson Thomas celebrates a 50-year collaboration with the London Symphony Orchestra, which has taken him from his debut in his twenties to Principal Conductor and now Conductor Laureate.

Michael Tilson Thomas introduces and presents Prokofiev’s most emotionally charged symphony in this early-evening concert.

The LSO’s Conductor Laureate Michael Tilson Thomas celebrates an incredible 50 years of conducting the Orchestra.

Make the most of your lunchbreak and enjoy a free, 45-minute informal concert at LSO St Luke’s.

LSO musicians retell a popular children’s story through music

A mythical, magical tale, a fate-filled journey from darkness to light, and pure Romantic lyricism – Gianandrea Noseda conducts Rimsky-Korsakov, Tchaikovsky and Bruch.

Gianandrea Noseda continues his Shostakovich symphonies cycle with the Seventh, 'Leningrad'.

Sir Antonio Pappano explores an all-British programme, highlighting composers’ responses to the world around them in early 20th-century Britain.

Sing your festive favourites with the LSO Brass Ensemble and a 300-strong choir of singers, and get your festive season off to a flying start!

Rich storytelling, high drama and bold ideas. Be drawn into magnificent operatic worlds with music from the towering giants of the Baroque, conducted by Emmanuelle Haïm.

Two works written in the same year yet poles apart in style – in François-Xavier Roth’s words, ‘the post-Romanticism of Elgar combined with Bartók’s scary, strange, erotic, disturbing work’.

Listen up-close and explore the magnetic charm of Bach’s music in all its elaborate detail.

Totally teenage orchestral brilliance. Come and hear it.

Nathalie Stutzmann brings together three landmark German composers from the Romantic era: Wagner, Mendelssohn and Brahms.